tag:blogger.com,1999:blog-3900730364130421502024-02-20T07:58:35.894+01:00Copy art et CieUniversité de Paris 8, Vincennes à Saint-Denis, UFR Arts, Département Arts plastiques,
Esthétique de la photocopie, La photocopie et son prolongement informatique, La photocopie interactive (Laboratoire de recherche sur l'image photocopique). Cours de licence de troisième année et de master de James Durand maître de conférences.NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.comBlogger257125tag:blogger.com,1999:blog-390073036413042150.post-23316860332432697392023-03-22T19:47:00.002+01:002023-03-22T19:47:16.692+01:00<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEicQqLjEaBJ3UxiLFQOj0KE5_JUL9Xzi7tBw7Rk-eoLbQ3sbVtgOoNAgCxUVMg94e3yxyOwFXMW54H33vB3nxxRo_UA-IMFXS0G2gyCoxU_h5MvecqNzseSuI1GDL77DHOfaEAY_DGmI1Fd_CWIPb0VKip6QCY2g33SVMfYENEpEWGHCCMM-cBP3w" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2314" data-original-width="1628" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEicQqLjEaBJ3UxiLFQOj0KE5_JUL9Xzi7tBw7Rk-eoLbQ3sbVtgOoNAgCxUVMg94e3yxyOwFXMW54H33vB3nxxRo_UA-IMFXS0G2gyCoxU_h5MvecqNzseSuI1GDL77DHOfaEAY_DGmI1Fd_CWIPb0VKip6QCY2g33SVMfYENEpEWGHCCMM-cBP3w" width="169" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEghmbplLeoxXp-hNrPvx9O60hPw5H-gBI2Ld4ySQLwv6jPUQ75URR2azWGI7fe0wqdYaL8UTw-PiiHn3Dv43vQOoRxno1kLyKzm7A2f3KANZB3ja-OZEqi2_J6zQYXLVDBNGiKNAkk7lL_Zb3KJ2nkeaUspzKsgDU_5BhAS5-7unxpfRd3xhNJZ8g" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2307" data-original-width="1626" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEghmbplLeoxXp-hNrPvx9O60hPw5H-gBI2Ld4ySQLwv6jPUQ75URR2azWGI7fe0wqdYaL8UTw-PiiHn3Dv43vQOoRxno1kLyKzm7A2f3KANZB3ja-OZEqi2_J6zQYXLVDBNGiKNAkk7lL_Zb3KJ2nkeaUspzKsgDU_5BhAS5-7unxpfRd3xhNJZ8g" width="169" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">RECTO-VERSO de James Durand réalisé sur un film transparent avec une photocopieuse Canon NP210 en 1997.</div><br /> <p></p>NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-35144946015167435372023-02-17T12:39:00.003+01:002023-02-17T12:39:55.489+01:00<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjnoI_0wgnNwqlFyf4I36pqnHLRxOCMMR9usWkM1eKSK2zV0O3lpwlP2u7vzL4W75qrv7WwZQMcZt7i_wPWc_sv4G83DgtZ8tczZI1_U7I5LhKiZMn1oRDWArUN_THTgCq0csczMbfjZl0DjpeDgtfCmQa4B8SBg7Zu7bhBs7bSD9kLu_-TIdx_xA" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="3423" data-original-width="4928" height="222" src="https://blogger.googleusercontent.com/img/a/AVvXsEjnoI_0wgnNwqlFyf4I36pqnHLRxOCMMR9usWkM1eKSK2zV0O3lpwlP2u7vzL4W75qrv7WwZQMcZt7i_wPWc_sv4G83DgtZ8tczZI1_U7I5LhKiZMn1oRDWArUN_THTgCq0csczMbfjZl0DjpeDgtfCmQa4B8SBg7Zu7bhBs7bSD9kLu_-TIdx_xA" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">"Mona Lisa Off, "Copie" de James DURAND 1989-2020".</div><br /> <p></p>NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-89784359186261691662023-02-15T16:34:00.003+01:002023-02-17T12:23:07.140+01:00<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiRhVsIfa0j3Ww2k305Y376BATixSd-DyFBv9Xgu0_Pyk3sc-gXQDH5j31M93OswXFj_68NEUYCoNn9aYR2--4eBIR1cvzGS1PElTSTqVCAjSlYtWobFlqK2N1ZIQa6laJEklekSybYkPJN3NeC2kF2WULQa1NWszQu9Qt6glsC5-z-h3uVlTF-lg" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="3474" data-original-width="2441" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEiRhVsIfa0j3Ww2k305Y376BATixSd-DyFBv9Xgu0_Pyk3sc-gXQDH5j31M93OswXFj_68NEUYCoNn9aYR2--4eBIR1cvzGS1PElTSTqVCAjSlYtWobFlqK2N1ZIQa6laJEklekSybYkPJN3NeC2kF2WULQa1NWszQu9Qt6glsC5-z-h3uVlTF-lg" width="169" /></a></div><div class="separator" style="clear: both; text-align: center;">Catalogue de </div><div class="separator" style="clear: both; text-align: center;">"The 2nd International Biennial of Graphic Arts"</div><div class="separator" style="clear: both; text-align: center;">Györ Hungary 1993</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi_pekluRej4ogpm6jCOj5ABvEwgP1Iqyu9CZ5rJATEdQzm7IN4gYVDUJ_PD7mQG56hK6-bpz4FugnzUyKbThi-sbXukpNb-I2GCb7HDawz65eOfjBcZOdGzZMS7lcZhkKqvM8baJe2Yymoo6SLnLsByWYwpUJ9LTkDACAEdC1hckPDBP-4iEXBow" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2794" data-original-width="2095" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEi_pekluRej4ogpm6jCOj5ABvEwgP1Iqyu9CZ5rJATEdQzm7IN4gYVDUJ_PD7mQG56hK6-bpz4FugnzUyKbThi-sbXukpNb-I2GCb7HDawz65eOfjBcZOdGzZMS7lcZhkKqvM8baJe2Yymoo6SLnLsByWYwpUJ9LTkDACAEdC1hckPDBP-4iEXBow" width="180" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Prix du Département Hongrois des Beaux-Arts et des Arts-Appliqués</div><div class="separator" style="clear: both; text-align: center;">décerné à James DURAND</div><div class="separator" style="clear: both; text-align: center;"> lors de la 2è Biennale Internationale des Arts Graphiques de Györ en Hongrie en 1993</div><br /> <p></p>NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-81868099522698779772023-02-15T12:48:00.000+01:002023-02-15T12:48:14.474+01:00<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhhc6kUGn4d2YSonFVpwN7sSIB028HUv--h_K9Uc5tHHmcgPo755lSrNFPlFhMBO8ix2-bSVLIG3e15_Ota4MuTTpn58JluFYz0f0n5q4rntKQ6dZG8OHOjBNEoRB_ibao4eZw-Yn9_sXfCCC-qf6eP8RvWe_3UrvgzsYNoP_ZNWRE-xTRb1s1t3Q" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1591" data-original-width="1229" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEhhc6kUGn4d2YSonFVpwN7sSIB028HUv--h_K9Uc5tHHmcgPo755lSrNFPlFhMBO8ix2-bSVLIG3e15_Ota4MuTTpn58JluFYz0f0n5q4rntKQ6dZG8OHOjBNEoRB_ibao4eZw-Yn9_sXfCCC-qf6eP8RvWe_3UrvgzsYNoP_ZNWRE-xTRb1s1t3Q" width="185" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">Catalogue de l'exposition "ARTISTAS Y MAQUINAS"</div><div class="separator" style="clear: both; text-align: center;">GENERALITAT VALENCIANA</div><div class="separator" style="clear: both; text-align: center;">CCCC</div><br /> <p></p>NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-34114437189723880982023-02-15T11:49:00.002+01:002023-02-22T17:18:03.421+01:00<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEg7_nlfA9Gzqjfk4mOnbVqnU-dK334GWvRP6jEgGQdyBVOrbquhWs3PTSt8aHka8guw6TUykCPdMAhwGWO9j8yY9mK4xZOyrkuaTkLFEc5kDS2qwrL0rkoIlZs5iLI6p9SPCtKeV81XCoU2TXD2dYx_fd_nfy5jSs_s8_EXvEJzWqHZUtKUYShj6Q" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="3956" data-original-width="2290" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEg7_nlfA9Gzqjfk4mOnbVqnU-dK334GWvRP6jEgGQdyBVOrbquhWs3PTSt8aHka8guw6TUykCPdMAhwGWO9j8yY9mK4xZOyrkuaTkLFEc5kDS2qwrL0rkoIlZs5iLI6p9SPCtKeV81XCoU2TXD2dYx_fd_nfy5jSs_s8_EXvEJzWqHZUtKUYShj6Q" width="139" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEh-RrnDzjOjMyZPzsWUC5Tkk2BbeasNMUCy5MaKCghnvfIP6l-WKjw_L0OOCICe_e0VV0FOF7dOoHuf1VAAN-yORLpXkxYy0ys7yjmaOPOSe8b9DRC59yvHy802OaiOX4H_8AC1IzO-oz99v7Of8kIswqdYLLiRL48miMflQxSSG5aOeiUewK4VPQ" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="4015" data-original-width="2638" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEh-RrnDzjOjMyZPzsWUC5Tkk2BbeasNMUCy5MaKCghnvfIP6l-WKjw_L0OOCICe_e0VV0FOF7dOoHuf1VAAN-yORLpXkxYy0ys7yjmaOPOSe8b9DRC59yvHy802OaiOX4H_8AC1IzO-oz99v7Of8kIswqdYLLiRL48miMflQxSSG5aOeiUewK4VPQ" width="158" /></a></div><div class="separator" style="clear: both; text-align: center;"><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xdj266r x126k92a" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; margin: 0px; overflow-wrap: break-word; text-align: left; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">BUBBLE ART</div><div dir="auto" style="font-family: inherit;">Réalisation des premières images photocopiques de l'œuvre de James DURAND, intitulée : "La vague bleue", 10,08m, 1h40, 590g</div><div dir="auto" style="font-family: inherit;">X 3, en 1993, sur une phocopieuse BJA1 Canon (Bubble Jet) au Centre Copie Service couleur d'Ivry-sur-Seine, France.</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; margin: 0.5em 0px 0px; overflow-wrap: break-word; text-align: left; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Photographie : Nathalie Hamard-Wang, 1993.</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; margin: 0.5em 0px 0px; overflow-wrap: break-word; text-align: left; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;"><span style="font-family: inherit;"><a style="color: #385898; cursor: pointer; font-family: inherit;" tabindex="-1"></a></span>Exposée du 17 décembre au 29 mai 2022 au</div><div dir="auto" style="font-family: inherit;">Centre del Carme, Valencia, Espagne.</div><div dir="auto" style="font-family: inherit;">Commissaire de l'Exposition : José Ramon Alcala y Casares.</div><div dir="auto" style="font-family: inherit;">Photographie : José Ramon Alcala.</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; margin: 0.5em 0px 0px; overflow-wrap: break-word; text-align: left; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">"ARTISTAS Y MAQUINAS", exposition de 82 créations de COPY ART (52 œuvres de Copy art, 15 Video art et 15 en ligne), du 17 décembre 2021 au 29 mai 2022.</div></div></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEguMBS0IJn6M5aNRkO3tc-zUb8Ot75ihEAgZRvJU4AtiKKzvemWgVkeInNdEn_fbiXXAqLC9DPZhYRxyiEGFQNIPjBUrOEs_hdUQMk22nZh4qcDx-GfEL39EIiW-qwVNBdtwLhudi28yHhgAkfCkGmwwqdb35TYryh-NCHzTx44hW0r3yMWatZ-NQ" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2133" data-original-width="1542" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEguMBS0IJn6M5aNRkO3tc-zUb8Ot75ihEAgZRvJU4AtiKKzvemWgVkeInNdEn_fbiXXAqLC9DPZhYRxyiEGFQNIPjBUrOEs_hdUQMk22nZh4qcDx-GfEL39EIiW-qwVNBdtwLhudi28yHhgAkfCkGmwwqdb35TYryh-NCHzTx44hW0r3yMWatZ-NQ" width="174" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgSdJKKemLQx5570jFxfbK1CYAbB18C0XjXpjKQaKtOIYQrDv3TbprrkTyU_Jm_E1Zma-7m5KYB3uLhcbVbdVY2fWtlnDgtYJ4kR63PSnhXPKedv170RhRHgqQuIT6QyHZ7oGMAsFPIO5Gxsd9TayGSRZ8dBP8dyz8AQHNgNIsO9uZNHWrX93a9Mg" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2139" data-original-width="1534" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEgSdJKKemLQx5570jFxfbK1CYAbB18C0XjXpjKQaKtOIYQrDv3TbprrkTyU_Jm_E1Zma-7m5KYB3uLhcbVbdVY2fWtlnDgtYJ4kR63PSnhXPKedv170RhRHgqQuIT6QyHZ7oGMAsFPIO5Gxsd9TayGSRZ8dBP8dyz8AQHNgNIsO9uZNHWrX93a9Mg" width="172" /></a></div><div class="separator" style="clear: both; text-align: center;"><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xdj266r x126k92a" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; margin: 0px; overflow-wrap: break-word; text-align: left; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">BUBBLE ART</div><div dir="auto" style="font-family: inherit;">James Durand "La vague bleue, 10,08 mètres, 1h40, 590 grammes x 3, 1993.</div><div dir="auto" style="font-family: inherit;">"ARTISTAS Y MAQUINAS", exposition de 82 créations de COPY ART (52 œuvres de Copy art, 15 Video art et 15 en ligne), du 17 décembre 2021 au 22 mai 2022.</div><div dir="auto" style="font-family: inherit;">Centre del Carme, Valencia, Espagne.</div><div dir="auto" style="font-family: inherit;">Commissaire de l'Exposition : José Ramon Alcala y Casares.</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; margin: 0.5em 0px 0px; overflow-wrap: break-word; text-align: left; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Image parue <span style="font-family: inherit;"><a style="color: #385898; cursor: pointer; font-family: inherit;" tabindex="-1"></a></span>dans la Revue espagnole "EL CULTURAL" n°18-24 p.21 - Febrero de 2022.</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; margin: 0.5em 0px 0px; overflow-wrap: break-word; text-align: left; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Cette œuvre fait désormais partie de la collection du MIDECIANT.</div></div></div><br /><p></p>NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-43041529975466501442021-12-21T18:15:00.003+01:002022-02-13T11:48:09.142+01:00<p><br /><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgDlqCwYOTvXkY-6-4ynYUv8sYL2ZT89ggMqi48MrNUV8obHUfz8iW6wHBnu-mbBjdRlzSBLPh8maqroQNOOFwiEXgBENi0RgoWF4DK_I1eog5Z9t5J0Gyvtzubrc3fYU2AbATnN91msg8GfGMHuEJ4WaJlUvc6DkyNuHKChznSzSx-v2-43AOXyQ=s3875" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2906" data-original-width="3875" height="415" src="https://blogger.googleusercontent.com/img/a/AVvXsEgDlqCwYOTvXkY-6-4ynYUv8sYL2ZT89ggMqi48MrNUV8obHUfz8iW6wHBnu-mbBjdRlzSBLPh8maqroQNOOFwiEXgBENi0RgoWF4DK_I1eog5Z9t5J0Gyvtzubrc3fYU2AbATnN91msg8GfGMHuEJ4WaJlUvc6DkyNuHKChznSzSx-v2-43AOXyQ=w557-h415" width="557" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;">ARTISTAS Y MAQUINAS</span></div><p></p><p><b>Bubble Art</b></p><p>Titre de l'œuvre : <span style="color: #2b00fe;"><i>La Vague Bleue, 10, 08 mètres, 1h40, 590 grammes</i></span>, 1993.</p><p>Œuvre réalisée sur une photocopieuse BJA1 Canon au Centre Copie Service couleur d'Ivry-sur-Seine, France.</p><p>Exposition : El Centre del Carme, Valencia, Espagne du 17 décembre 2021 au 22 mai 2022.</p><p>Commissaire de l'exposition : José Ramon Alcalá </p><p>Photographies : José Ramon Alcalá et Teresa Madueño</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEirYWPr0BGK0MeL3gj4D-YqbNpDiS_Os8uiUwAna5aJGXlKVl6ioilM-ArOqIz6LF1RB6t3auUjF1P5KhMvF1NjD1bkU-hjh8JPA-9pKQb8Hvz0NTU52Qk0ZpH42BJg2fb36_clw0WV1SurQofkAOYIhW_ijt0UfNklJhhPykN_Y2uwOVH66MDOrQ=s768" style="margin-left: 1em; margin-right: 1em;"><span style="font-size: medium;"><img border="0" data-original-height="512" data-original-width="768" height="344" src="https://blogger.googleusercontent.com/img/a/AVvXsEirYWPr0BGK0MeL3gj4D-YqbNpDiS_Os8uiUwAna5aJGXlKVl6ioilM-ArOqIz6LF1RB6t3auUjF1P5KhMvF1NjD1bkU-hjh8JPA-9pKQb8Hvz0NTU52Qk0ZpH42BJg2fb36_clw0WV1SurQofkAOYIhW_ijt0UfNklJhhPykN_Y2uwOVH66MDOrQ=w517-h344" width="517" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgl1XQujttHbw1cx2ISBC07-GIKYlQp4_C_cK0tFCY6dBbN3Mf0NTxWnzTSjmj9M3TOZz4Ajbnazjx_oBCmHbB1iJyoP4bAZsai1Q6Oh9rEABVBBn6mL5A9c402REqnW4p5H4LXRTQT4Ec5ftVxuzcDAWQKzs_Kf8-lzXe8n6XktCX0wtIH7-WjfA=s1417" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="785" data-original-width="1417" height="283" src="https://blogger.googleusercontent.com/img/a/AVvXsEgl1XQujttHbw1cx2ISBC07-GIKYlQp4_C_cK0tFCY6dBbN3Mf0NTxWnzTSjmj9M3TOZz4Ajbnazjx_oBCmHbB1iJyoP4bAZsai1Q6Oh9rEABVBBn6mL5A9c402REqnW4p5H4LXRTQT4Ec5ftVxuzcDAWQKzs_Kf8-lzXe8n6XktCX0wtIH7-WjfA=w513-h283" width="513" /></a></div><br /><p></p>NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-61517212547804120392020-09-27T20:43:00.007+02:002023-03-14T21:57:14.219+01:00<p></p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpG4mCOM6pBsjil9BNkwcHaPfexEZQj8bLBFsDiWKFgQwmI5VTjZfM5Uvl9n2g1hz5K4UZf2nMpIeUhZUkUk52gSz-MbcDWa7tR_fGuBUPygQwK5vMfwrQ_0drzLMxoasTIrH4qwVaPA/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1244" data-original-width="2048" height="305" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpG4mCOM6pBsjil9BNkwcHaPfexEZQj8bLBFsDiWKFgQwmI5VTjZfM5Uvl9n2g1hz5K4UZf2nMpIeUhZUkUk52gSz-MbcDWa7tR_fGuBUPygQwK5vMfwrQ_0drzLMxoasTIrH4qwVaPA/w503-h305/DSC02289.jpeg" width="503" /></a></div><div style="text-align: justify;"><span style="color: red;"><br /></span></div><div style="text-align: justify;"><span style="color: red;"><i><b>Weaving Global Minds Generative Systems</b></i></span> Editor : Sonia Landy Sheridan, 2019. Designed by Sonia Sheridan, Published by The Studio for Digital Services, LLC, 72 Library Road Thetford Center, VT 05075. Cover image by Sonia Sheridan.</div></span></div></div><p></p><p style="text-align: justify;"><b>Listes des participants</b> : Luca Forcucci, Elliot Fenander, Pete Lekousis, Lino Mocerino, Scot D. Forshaw, Danielle Siembieda, Willard G. Van De Bogart, José R. Alcala, Brian Oglesbee, Marisa Gonzalez, Teresa Wennberg, John F. Dunn, John Mabel, Douglas Howard Dybvig, Jack & Beverly Wilgus, Philip Malkin, Marilyn Goldstein-Schultze, Sonia Landy Sheridan, Jacob Lillemose, Lino Mocerino & Francesca Giuliani, Paul Brown, James Durand, Martha Loving Orgain, Jeanne M. Lieberman, Theo Therone, Sarah Rosalena Brady.</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPTfFszErdX4mu646jaA3XF0NS9SoFF3dcr7sfIZks2a0vKDsnM73NZmBQ1iAFsPlPC7fwBDPpw7Lbj-ePfMR9vr9ESH6LfhBK-i_wdajqP483MXYG-__TGKGvEsfPP_HXEL3zgW-eQA/" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="" data-original-height="1365" data-original-width="2048" height="368" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPTfFszErdX4mu646jaA3XF0NS9SoFF3dcr7sfIZks2a0vKDsnM73NZmBQ1iAFsPlPC7fwBDPpw7Lbj-ePfMR9vr9ESH6LfhBK-i_wdajqP483MXYG-__TGKGvEsfPP_HXEL3zgW-eQA/w555-h368/IMG_5972.jpeg" width="555" /></a></div><p></p><p>James Durand dans son Atelier, photographie Lou Durand--Hamard, 4 mai 2019 Coleuvrat, Bourgogne-Franche-Comté, France.</p><p><br /></p>NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-78705766740224136692020-09-27T20:01:00.005+02:002020-09-28T09:06:50.049+02:00<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIUi4HUX_nADqp4Y_uAC-iiOLN7xIe7H6SpVTk7g5r3uLjrDj4Yz8l2tNQJwksrIH-3clv0ZTSWGDp8_W0IxCQbk7QgbGtN9BA0T1c2UhcdwDIwkTSVofjSfw_MVjoHkhgvYt0DNMjJA/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2048" data-original-width="1486" height="720" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIUi4HUX_nADqp4Y_uAC-iiOLN7xIe7H6SpVTk7g5r3uLjrDj4Yz8l2tNQJwksrIH-3clv0ZTSWGDp8_W0IxCQbk7QgbGtN9BA0T1c2UhcdwDIwkTSVofjSfw_MVjoHkhgvYt0DNMjJA/w522-h720/Image+de+couverture+de+In+Progress+Sp%25C3%25A9cial+James+Durand.jpeg" width="522" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;">WORK IN PROGRESS</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvGW3W9iNsjVTFSXicCLtFVs8IRi6k1G-mihaUkt8rMG2NBiW3ZJJ2LD5WBJQedFfMIH0erPbr449AoU2kLu5QGAVorvXdspwQuga-EMc8h3lCN9CE5fx8I2C7imH4TpNWEWeGm331QQ/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2048" data-original-width="1486" height="717" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvGW3W9iNsjVTFSXicCLtFVs8IRi6k1G-mihaUkt8rMG2NBiW3ZJJ2LD5WBJQedFfMIH0erPbr449AoU2kLu5QGAVorvXdspwQuga-EMc8h3lCN9CE5fx8I2C7imH4TpNWEWeGm331QQ/w521-h717/Image+de+couverture+de+In+Progress+Sp%25C3%25A9cial+James+Durand+2.jpeg" width="521" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvuk8ODNHUseASzHz54vHv1mhoV-k-FRhTkHVuRIwsXTimeK4C7WPKzQu7TGCn3nZd8OSonczvxBvUbGiEjQPFWK1LXbr5bY6hWouvVo-0bfwuebMDcKvjhi48ikwnGvORMWkkIwJB5g/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2048" data-original-width="1486" height="711" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvuk8ODNHUseASzHz54vHv1mhoV-k-FRhTkHVuRIwsXTimeK4C7WPKzQu7TGCn3nZd8OSonczvxBvUbGiEjQPFWK1LXbr5bY6hWouvVo-0bfwuebMDcKvjhi48ikwnGvORMWkkIwJB5g/w515-h711/Image+de+couverture+de+In+Progress+Sp%25C3%25A9cial+James+Durand+3.jpeg" width="515" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnpV6vxgtb6csoZ-SJRV3cSytRYLjTGNpD1yZt7oJRM6YR4djoRI1B9NgjbeHVlQqU5atJ3yV6VJLQnk8N7x-P4HKTRgM1GtbSyVWf1pQiy3PFSLfnGsAq6Y7jF7fMTuvxTXNRS7BOOA/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2048" data-original-width="1486" height="712" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnpV6vxgtb6csoZ-SJRV3cSytRYLjTGNpD1yZt7oJRM6YR4djoRI1B9NgjbeHVlQqU5atJ3yV6VJLQnk8N7x-P4HKTRgM1GtbSyVWf1pQiy3PFSLfnGsAq6Y7jF7fMTuvxTXNRS7BOOA/w517-h712/Image+de+couverture+de+In+Progress+Sp%25C3%25A9cial+James+Durand+1.jpeg" width="517" /></a></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><b><br /></b></div><div style="text-align: left;"><b>"James Durand le copieur original"</b> </div><div style="text-align: left;">Article de Bruno Brusa, édité le 11 juillet 1999, Paris. </div></div><div class="separator" style="clear: both; text-align: left;">Images photocopiques réalisées sur une photocopieuse Canon à Bulles d'encre le BJA1, tiré à 30 exemplaires, signés, tamponnnés et numérotés.</div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><br /></div><br /> <p></p>NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-3009479348399026512020-09-27T19:53:00.005+02:002020-09-28T09:11:53.273+02:00<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBUWKf1mmUGvORaDhz4cxr6Cf-8Vb9AzepHIv9cmlBIKkEYLs0CaIV1_1X59x0ag14lXfv0kxMqBnOMAOE0JUdvnQItSny2JOus1KCnBR-VWQ4-jrrzfM2R61ULZptntER_iBcOix2Gw/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1503" data-original-width="2048" height="373" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBUWKf1mmUGvORaDhz4cxr6Cf-8Vb9AzepHIv9cmlBIKkEYLs0CaIV1_1X59x0ag14lXfv0kxMqBnOMAOE0JUdvnQItSny2JOus1KCnBR-VWQ4-jrrzfM2R61ULZptntER_iBcOix2Gw/w509-h373/Affichette+Quoi+de+neuf+%253F.jpeg" width="509" /></a></div><br /><p></p><p><br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_9oQA4fQig_dCHRa8Er_fG3NaxMIpMyUgpa7tx0iUWk20WCpZ6mjETtCVcCaAA7TdUrNl6dMx7iehgAKQ3mYWz7DxC3XLcLxQDaMkRbVefr6eFMyljIopSUmZR9XIqS8YXDR_XjuIvw/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1378" data-original-width="2048" height="345" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_9oQA4fQig_dCHRa8Er_fG3NaxMIpMyUgpa7tx0iUWk20WCpZ6mjETtCVcCaAA7TdUrNl6dMx7iehgAKQ3mYWz7DxC3XLcLxQDaMkRbVefr6eFMyljIopSUmZR9XIqS8YXDR_XjuIvw/w514-h345/Affichette+Quoi+de+neuf+%253F+1.jpeg" width="514" /></a></div><br /><br /><p></p><p><b>CONFÉRENCES</b></p><p><b>PREMIÈRE JOURNÉE : </b><b>30 mai 2013 Amiens</b></p><p><b>" AUTOUR DE L'ART MULTIPLIÉ : HÉRITAGE ET PERSPECTIVES " </b></p><p>UNIVERSITÉ DE PICARDIE JULES VERNE, FACULTÉ DES ARTS, AMIENS.</p><p>Sous la présidence de Jean-François ROBIC, professeur des universités en arts plastiques, UFR arts, UPJV.</p><p>Avec : Lorenzo VINCIGUERRA, professeur des universités en philosophie, directeur du CRA, UFR arts, UPJV.</p><p>Océane DELLEAUX, maître de conférences en histoire de l'art, Université de Haute-Alsace.</p><p>Jérôme DUPEYRAT, docteur en esthétique, Université Rennes 2, et fondateur des éditions BAT.</p><p>Denis PONDRUEL, artiste, éditeur, professeur associé, UPJV.</p><p>Lena GARNISSON artiste.</p><p>James DURAND, artiste, maître de conférences des universités en arts plastiques, Université Paris 8, Vincennes-Saint-Denis, spécialiste du Copy-art.</p><p>Nathalie HAMARD-WANG, artiste, chargée de cours en arts plastiques, Université Paris 8, Vincennes-Saint-Denis, spécialiste du Mail-art.</p><p>Jean-Matthieu MEON, maître de conférence des universités, Université de Metz, spécialiste de la bande dessinée.</p><p>Archives : James Durand et Nathalie Hamard-Wang.</p><p><br /></p><p><br /></p><p><br /></p>NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-71709908392525239182020-04-03T18:18:00.002+02:002020-04-05T18:07:35.457+02:00<h2>
<span style="color: blue; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Électrographie et Jazz de James Durand</span></h2>
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<span style="color: blue; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Performance avec un saxophoniste ténor dont j'ai posé la tête et son saxophone sur la vitre d'une photocopieuse Canon NP 210, au F.I.A.P. (Foyer International d'Accueil et de Promotion sociale), d'Évry Ville Nouvelle dans l'Essonne, le 21 octobre 1983. </span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzW1afGI_owga-wzPb5z-posvpOEWkqUXl-g0mXZtt4G6csK0FJSjUOwr2l_DTL7vXSDlPqG3U6XceLItx4tF4QXN1_5vr7JQ6tBuXPErTI97ud4mlDFVLUxIRiIHQvAgSIkE_VGTaHg/s1600/fullsizeoutput_91e.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1081" data-original-width="1600" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzW1afGI_owga-wzPb5z-posvpOEWkqUXl-g0mXZtt4G6csK0FJSjUOwr2l_DTL7vXSDlPqG3U6XceLItx4tF4QXN1_5vr7JQ6tBuXPErTI97ud4mlDFVLUxIRiIHQvAgSIkE_VGTaHg/s320/fullsizeoutput_91e.jpeg" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOIb17SiE53GU5YSMesuIcHHNTCm0qlDce_4MuSPxRm22es4rKQVBBOA5aYJTyGTYG3yE3rn8RZ-PRIsemEluNXWC3mfgvIrwNbfDB92Bq45Ln00nuWrz915_zmvk03J-3c9gmK9-wBQ/s1600/fullsizeoutput_920.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1133" data-original-width="1600" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOIb17SiE53GU5YSMesuIcHHNTCm0qlDce_4MuSPxRm22es4rKQVBBOA5aYJTyGTYG3yE3rn8RZ-PRIsemEluNXWC3mfgvIrwNbfDB92Bq45Ln00nuWrz915_zmvk03J-3c9gmK9-wBQ/s320/fullsizeoutput_920.jpeg" width="320" /></a></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Images photocopiques électrostatiques réalisées</span></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">sur une photocopieuse Canon NP 210. Format A3.</span><br />
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Photographies des Images photocopiques : </span><br />
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">James Durand 24 mars 2020.</span></div>
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NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-30261583336805772462015-03-24T12:01:00.002+01:002020-04-05T18:07:52.012+02:00COPY ART Jean-François ROBIC<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBlCC8IuZany7qIYoo69bNNJTud7kOrp2AMpaZ6I-FX9678Q9wG1EP9uvUiEqegkU8gaw3d7fOg857oLb2Ej3815ln-Mh5kpn1W7WVV8EVOXn3DX68sOSLNJXVHkftw9vam3befyxi0w/s1600/COPY+ART+Jean-Franc%CC%A7ois+ROBIC+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="215" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBlCC8IuZany7qIYoo69bNNJTud7kOrp2AMpaZ6I-FX9678Q9wG1EP9uvUiEqegkU8gaw3d7fOg857oLb2Ej3815ln-Mh5kpn1W7WVV8EVOXn3DX68sOSLNJXVHkftw9vam3befyxi0w/s1600/COPY+ART+Jean-Franc%CC%A7ois+ROBIC+1.jpg" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAVE-EN3ItluaAiUwBcHZNX2b9jN0MtjLNQzhn1UTCby4GDPdG5aks8u80PtHqihMNrYrKWnoE_BAEgUBcWTRmde0VXoxaSrhIj_psnbaS0r0nvsQ4hY8xXJEdJrBZcre5nxAlyKqVLg/s1600/COPY+ART+Jean-Franc%CC%A7ois+ROBIC+4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAVE-EN3ItluaAiUwBcHZNX2b9jN0MtjLNQzhn1UTCby4GDPdG5aks8u80PtHqihMNrYrKWnoE_BAEgUBcWTRmde0VXoxaSrhIj_psnbaS0r0nvsQ4hY8xXJEdJrBZcre5nxAlyKqVLg/s1600/COPY+ART+Jean-Franc%CC%A7ois+ROBIC+4.jpg" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA7A3dqTzfdIz09Jz9N084Pf9wDda7HeSFlfYtFNTtGWxzPpA8F1aG4LwAbQ-gptX__rO3x0lrtqef7A0mpwgs_BU3115OEd24RIC6KUfEM2eGP5d0xCTTfh6F00m88ujP8PZ0Bmo6CQ/s1600/COPYART+Jean-Franc%CC%A7ois+ROBIC+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA7A3dqTzfdIz09Jz9N084Pf9wDda7HeSFlfYtFNTtGWxzPpA8F1aG4LwAbQ-gptX__rO3x0lrtqef7A0mpwgs_BU3115OEd24RIC6KUfEM2eGP5d0xCTTfh6F00m88ujP8PZ0Bmo6CQ/s1600/COPYART+Jean-Franc%CC%A7ois+ROBIC+2.jpg" width="320" /></a></div>
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<b>"Le twist de Salomé"</b>, performance de Jean-François ROBIC, à l'invitation de Geneviève CHARRAS et Robert BECKER au 1er Festival d'Art Vidéo-Dance, Espace Esplanade, Strasbourg, France, 21 avril 1990.</div>
<br />NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com1tag:blogger.com,1999:blog-390073036413042150.post-23573430729770890682014-06-23T12:58:00.001+02:002020-04-05T18:08:09.961+02:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNaw_Ftl4EsI4pyh9vH8e7fPaYjSHD7CZFQnPXv0_HOvupRk-GxypnLbhE0o3DRpZnM1Kk-BcZ2O7fRmujLs5Vz8VkTSe7ZrDnFCo5G-CPsziZ84jZ9X2uxgtNfwD37I_vVD4Rll4q1g/s1600/DSC00502.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNaw_Ftl4EsI4pyh9vH8e7fPaYjSHD7CZFQnPXv0_HOvupRk-GxypnLbhE0o3DRpZnM1Kk-BcZ2O7fRmujLs5Vz8VkTSe7ZrDnFCo5G-CPsziZ84jZ9X2uxgtNfwD37I_vVD4Rll4q1g/s1600/DSC00502.JPG" width="400" /></a></div>
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<span data-reactid=".dx.1:3:1:$comment337498333045426_715493:0.0.$right.0.$left.0.0.1:$comment-body.0.0" style="background-color: #edeff4; color: #333333; font-family: "helvetica" , "arial" , "lucida grande" , "tahoma" , "verdana" , "arial" , sans-serif; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 15px; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><span data-reactid=".dx.1:3:1:$comment337498333045426_715493:0.0.$right.0.$left.0.0.1:$comment-body.0.0.$end:0:$0:0">Deuxième partie du colloque : les pratiques artistiques, formes de l'œuvre multipliée. "De la photocopie analogique à la photocopie numérique interactive" de James Durand. Sur l'écran "Ibirapuera Parc" de James Durand (artiste, ancien maître de confére</span></span><span data-reactid=".dx.1:3:1:$comment337498333045426_715493:0.0.$right.0.$left.0.0.1:$comment-body.0.3" style="background-color: #edeff4; color: #333333; font-family: "helvetica" , "arial" , "lucida grande" , "tahoma" , "verdana" , "arial" , sans-serif; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 15px; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"><span data-reactid=".dx.1:3:1:$comment337498333045426_715493:0.0.$right.0.$left.0.0.1:$comment-body.0.3.0"><span data-reactid=".dx.1:3:1:$comment337498333045426_715493:0.0.$right.0.$left.0.0.1:$comment-body.0.3.0.$end:0:$0:0">nces, 18è section, département Arts plastiques, Université Paris 8 Vincennes-St-Denis), concert pour 4 photocopieuses caches et partitions froissées de six minutes, opus 21. Instrumentistes : Nathalie Hamard-Wang, James Durand, Hilario Ribeiro Filho, Silvio Fernando P. Rebelo. Réalisation de la video : José Antonio Hergeta. Ce concert a été joué avec quatre photocopieuses Rank Xerox n° 1035, le 28 octobre 1993 à 19 heures au théâtre SESC/POMPEIA, lors du 3è Studio International des Technologies de l'Image de Sao-Paulo, organisé par Luiz Guimarães Monforte et avec la collaboration de : UNESP, SENAC, SESC/POMPEIA, Rank Xerox Brésil. Générique de Franziska Megert. Durée 12 minutes environ, couleur. Photographie : Nathalie Hamard-Wang, 30 mai 2013. UPJV, Amiens, Somme Picardie, France.</span></span></span>NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-6627176186009001142014-06-23T12:46:00.001+02:002020-04-05T18:12:27.620+02:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV9X7C5Dh7rhVvYk5ZTsRN7oGQQVvcao1A9KJd5pEqhIjVNtUrfxrakyp5Ku7O0eG2JUtgYBlJCFIzWR7kPNFjuUkgKZZ7jgKkEZk-LmgEG_-P5dXiQv_TI6Jcg4v2JCagvLLnG-KXMQ/s1600/DSC00514.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV9X7C5Dh7rhVvYk5ZTsRN7oGQQVvcao1A9KJd5pEqhIjVNtUrfxrakyp5Ku7O0eG2JUtgYBlJCFIzWR7kPNFjuUkgKZZ7jgKkEZk-LmgEG_-P5dXiQv_TI6Jcg4v2JCagvLLnG-KXMQ/s1600/DSC00514.JPG" width="400" /></a></div>
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<span style="background-color: white; color: #333333; display: inline; float: none; font-family: "helvetica" , "arial" , "lucida grande" , "tahoma" , "verdana" , "arial" , sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 18px; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;">Deuxième partie du colloque : les pratiques artistiques, formes de l'œuvre multipliée. "De la photocopie analogique à la photocopie numérique interactive" de James Durand. Sur l'écran : Une œuvre de l'artiste allemand Franz John. Image extraite d'une video de sa performance à Berlin. Document de Jean-François Robic. Photographie : Nathalie Hamard-Wang, 30 mai 2013. UPJV, Amiens, Somme, Picardie, France.</span>NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-5804057973911298072014-06-23T12:39:00.002+02:002020-04-05T18:13:00.769+02:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKmdOjWKtnTsELb4JMkm9vrghDK53PAJfbLh6HNUYiAu6K7o-WriRs83dnfqzbZ8Sxye5mpNWX9Duen8s7xQ9RJYkC-wwtMqfXxZMoQvNjzKjkbUy-Y29zazVTT2GKnyj-KbSOJMahWA/s1600/DSC00512.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKmdOjWKtnTsELb4JMkm9vrghDK53PAJfbLh6HNUYiAu6K7o-WriRs83dnfqzbZ8Sxye5mpNWX9Duen8s7xQ9RJYkC-wwtMqfXxZMoQvNjzKjkbUy-Y29zazVTT2GKnyj-KbSOJMahWA/s1600/DSC00512.JPG" height="300" width="400" /></a></div>
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<span style="-webkit-text-stroke-width: 0px; background-color: white; color: #333333; display: inline !important; float: none; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 18px; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;">Deuxième partie du colloque : les pratiques artistiques, formes de l'œuvre multipliée. "De la photocopie analogique à la photocopie numérique interactive" de James Durand. Sur l'écran : Autoportrait de James Durand et image d'une carte postale "Lettres d'amour" de James Durand, document de Jean-François Robic. Photographie : Nathalie Hamard-Wang, 30 mai 2013. UPJV, Amiens, Somme, Picardie, France.</span>NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-55090873717273911252014-06-23T11:07:00.000+02:002020-04-05T18:13:00.707+02:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQY0TiJqA8oJE_jdM4Y-6IcXIcsinWbbK7qeYCNmJqc_1f56mW6t3bpjQeo8r-2pOYQmd4brQzm56ko4Nc1PuJMBfl7y2dOYSpclhdvx7TU6Y8o8yKSbERmVFuwQTLbutOzI-nZ8VnxA/s1600/IMG_3065.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQY0TiJqA8oJE_jdM4Y-6IcXIcsinWbbK7qeYCNmJqc_1f56mW6t3bpjQeo8r-2pOYQmd4brQzm56ko4Nc1PuJMBfl7y2dOYSpclhdvx7TU6Y8o8yKSbERmVFuwQTLbutOzI-nZ8VnxA/s1600/IMG_3065.JPG" height="266" width="400" /></a></div>
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COPY ART</div>
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"Marie-Paule et Nathalie" tryptique, détail. Œuvre de James Durand réalisée en 1984 sur une photocopieuse CANON NP 270.</div>
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Dimensions : 2,10 m x 1,17 m.</div>
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Photographie : James Durand, 1er octobre 2013. </div>
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NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-66370781790183405852014-06-23T11:06:00.000+02:002020-04-05T18:13:00.800+02:00<div class="separator" style="clear: both; text-align: left;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfsL4ih-ZUtWYie7BmRAZ026T0DAu-GHa4OsGS7UhmJOkLz6UEAFnZ6WlMouaUbhpi18lWcIutjCB7Lobeii05eSSm1Hw0CTF0BUsxbMrIPU53dA6UCx4dZIvZF1ZwjOR2hnKZVCM2PQ/s1600/IMG_3064.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfsL4ih-ZUtWYie7BmRAZ026T0DAu-GHa4OsGS7UhmJOkLz6UEAFnZ6WlMouaUbhpi18lWcIutjCB7Lobeii05eSSm1Hw0CTF0BUsxbMrIPU53dA6UCx4dZIvZF1ZwjOR2hnKZVCM2PQ/s1600/IMG_3064.jpg" height="400" width="266" /></a></div>
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COPY ART</div>
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<span style="-webkit-text-stroke-width: 0px; background-color: #fafbfb; color: #4e5665; display: inline !important; float: none; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 15px; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;">L'original de "Marie-Paule et Nathalie", de James Durand, tryptique 2,10 m x 1,17 m. Photocopieuse Canon NP 270, 1984. Photographie James Durand 1er octobre 2013. Une carte postale de cette œuvre a été éditée en 1984 by COPIRATE, Éditions, imprimerie STEP, Évry Ville Nouvelle.</span></div>
<br />NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-15115260809278108092014-06-23T10:49:00.000+02:002020-04-05T18:13:32.838+02:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixKE4NtDS0vM9O4QPs2Aqn3huEUBfVW6DOHsEOL8Qby0shN45gptqQQY3rChpMWmBxZzNE3u0i_C6ua8SifV077fGhUSyo_AXuLEK8dRJYYKsNzG-dWnUIDPcEfGCWVSswL58nTeSF2Q/s1600/IMG_3723.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixKE4NtDS0vM9O4QPs2Aqn3huEUBfVW6DOHsEOL8Qby0shN45gptqQQY3rChpMWmBxZzNE3u0i_C6ua8SifV077fGhUSyo_AXuLEK8dRJYYKsNzG-dWnUIDPcEfGCWVSswL58nTeSF2Q/s1600/IMG_3723.JPG" height="266" width="400" /></a></div>
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Œuvre de James Durand réalisée en 1990 avec une photocopieuse Canon NP 2010. Format A3 x 2.<br />
<br />NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-65517954900112355012013-06-08T12:50:00.003+02:002020-04-05T18:13:32.996+02:00<div class="separator" style="clear: both; text-align: left;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGzFpdb3JcVGTRcgvkOAzfjW61lJIdusKR6BwbGgOaVlY3UFf-IeJQecmRyNGPTMVoCxNkupbN-_EpyJpuf-T0ewwVsbgVLqcd5Xk6BVImJSrGcjJF4EUR-UjtPOe7ghoYkEkpnVYAfw/s1600/5684_335649073230352_425376385_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGzFpdb3JcVGTRcgvkOAzfjW61lJIdusKR6BwbGgOaVlY3UFf-IeJQecmRyNGPTMVoCxNkupbN-_EpyJpuf-T0ewwVsbgVLqcd5Xk6BVImJSrGcjJF4EUR-UjtPOe7ghoYkEkpnVYAfw/s320/5684_335649073230352_425376385_n.jpg" width="229" /></a></div>
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<span style="-webkit-text-stroke-width: 0px; background-color: #fafbfb; color: #4e5665; display: inline !important; float: none; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 14px; orphans: auto; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px;">Réplique du premier modèle de 1944 du copieur automatique instantané de Chester Carlson appartenant au Centre de technologie Joseph C. WILSON. Exposé au Musée Rank Xerox de Rochester (N.Y.) USA, lors de "Montage 93". Photographie James Durand, 1993, Rochester, New York, USA. Archives James Durand.</span></div>
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NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-4640546269393717862012-12-11T16:07:00.003+01:002020-04-05T18:13:32.901+02:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG-qJQ6Wb9gAACZwDOX8GWRRM2nvAL-NFhuGEpSv5YKl9Bvo772v9VIPmruj1sKtIWN60VOf674Zxm_LLC8WKylN0QuzmQ8h9oF3aPhylxnadknMw9AHu4DR23RNAg7KrpFbigo10cfw/s1600/548622_242347245896102_1422633067_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG-qJQ6Wb9gAACZwDOX8GWRRM2nvAL-NFhuGEpSv5YKl9Bvo772v9VIPmruj1sKtIWN60VOf674Zxm_LLC8WKylN0QuzmQ8h9oF3aPhylxnadknMw9AHu4DR23RNAg7KrpFbigo10cfw/s400/548622_242347245896102_1422633067_n.jpg" width="400" /></a></div>
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<span class="Apple-style-span" style="color: lime;">Jean-François Robic</span><br />
<i><span class="Apple-style-span" style="color: orange;"><b>Fou</b></span></i><br />
Phototexte, image numérique 2007-2011<br />
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© Image Jean-François Robic<br />
© Document Jean-François Robic</div>
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Jean-François Robic est un artiste contemporain et un universitaire. Il enseigne comme professeur des universités en Arts plastiques à l'Université d'Amiens.</div>
NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-9528828043896583312012-12-11T15:32:00.001+01:002020-04-05T18:13:33.059+02:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz3s5GriYp0C2UaA5EN2pn5ZlXgZC48PGzV9ffjRSC3T8h8ljwFewqtcnXV-GMcbGoqWukPmT1gpnZ8TkCpTpsiw-n5hlCxqxc_D1MxT5AaaOMPETGyhgBnMtEoB9Y2gYeJ_H6ITCXcw/s1600/523812_242333429230817_1288422647_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz3s5GriYp0C2UaA5EN2pn5ZlXgZC48PGzV9ffjRSC3T8h8ljwFewqtcnXV-GMcbGoqWukPmT1gpnZ8TkCpTpsiw-n5hlCxqxc_D1MxT5AaaOMPETGyhgBnMtEoB9Y2gYeJ_H6ITCXcw/s400/523812_242333429230817_1288422647_n.jpg" height="318" width="400" /></a></div>
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<span class="Apple-style-span" style="color: lime;">Jean-François Robic</span></div>
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<i><span class="Apple-style-span" style="color: orange;"><b>Le dernier mot</b></span></i></div>
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Phototexte, image numérique, 2011.<br />
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© Image Jean-François Robic<br />
© Document Jean-François Robic<br />
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Jean-François Robic est un artiste contemporain et un universitaire. Il enseigne comme professeur des universités en Arts plastiques à l'Université d'Amiens.</div>
NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-9545979389424378032012-12-11T10:29:00.001+01:002020-04-05T18:13:33.090+02:00<div class="separator" style="clear: both; text-align: left;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjsRMYwu0NdZBd0qCNZDE2zT1mj-Ns6DTz_Wb_VVxgGFBYVEZ2D4hvRCnzNLKJiFo5jwYLjuo1EeaEP5_D0CyIZf20ZPns93XTmBYZsfVIPQ9S1aov1YMPRIfXZ4lokFNn5JsgHGlcmg/s1600/What's+The+Use+of+Talking-Self+portrait.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjsRMYwu0NdZBd0qCNZDE2zT1mj-Ns6DTz_Wb_VVxgGFBYVEZ2D4hvRCnzNLKJiFo5jwYLjuo1EeaEP5_D0CyIZf20ZPns93XTmBYZsfVIPQ9S1aov1YMPRIfXZ4lokFNn5JsgHGlcmg/s640/What's+The+Use+of+Talking-Self+portrait.jpeg" width="433" /></a></div>
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<span class="Apple-style-span" style="color: lime; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Suzan Reese Horvitz</span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Technique mixte, image photocopique, photoshop, peinture, sur panneau de verre doré.</span><br />
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Suzan Horvitz, a painter, holds a BFA and MA from University of the Arts. She holds a Doctorate in College Teaching of the Fine Arts from Columbia University, NYC. Horvitz was Executive Director from 1976 to 1997 and Founder of NEXUS/Foundation For Today’s Art. Horvitz collaborates with her partner Robert Roesch on large-scale public and corporate art projects. In 2002, they completed a commission for the South Eastern PA Transportation Authority for 2 light rail shelters at the Philadelphia Zoo. Horvitz has received several Fellowships from PA Council on the Arts, Mid Atlantic Arts Foundation, grants from National Endowment for the Arts and a Masterworks Fellowship from The Center For Creative Glass. She had a one-person exhibition at the Gulbenkian Museum, Portugal. She has had one -person exhibitions and is in the permanent collections of the Fyns Kunstmuseum, Denmark, Utah Museum, Museum of Greater Victoria, and Musée d'Art Contemporain in France. Her work has also been exhibited in and is in the permanent collection of the Musée d’Art Moderne, Paris, Corning Museum, Museum of American Glass, and Glasmuseum, Denmark. As a Cultural Specialist for the US State Department – Horvitz has had exhibitions of her artwork and lectured in South America, the Far East and the Middle East.</span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">EDUCATION</span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">1977/73 Columbia University, NY, Doctorate-College Teaching/Fine Arts</span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">1975/77 Temple University, Educational Admin., Psycho-educational processes</span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">1972/68 University of the Arts, MA Painting </span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">1961/63 George Washington Univ., Washington, DC Graduate Fine Arts -Painting</span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">1960/61 New York University graduate Fine Arts Program, Advanced Sculpture</span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">1960/56 University of the Arts, BFA</span><br />
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">© Image Suzan Reese Horvitz</span><br />
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Documents : Blog Suzan Reese Horvitz</span></div>
<br />NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-3993830640338070592012-10-18T19:44:00.002+02:002020-04-05T18:13:32.869+02:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS_3sfQsndun79guIlauXWfuGVij2UpT70XEEHwx3iK85-BQGILL_m5GLES49FbRr-yB4bIbWHianlZmqOCbTkUtnkqW3OX3pAYOW31ldlYnZVTK_lNmKMV1Nklpnl1lLUKoVXxcIVMA/s1600/IMG_1216.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS_3sfQsndun79guIlauXWfuGVij2UpT70XEEHwx3iK85-BQGILL_m5GLES49FbRr-yB4bIbWHianlZmqOCbTkUtnkqW3OX3pAYOW31ldlYnZVTK_lNmKMV1Nklpnl1lLUKoVXxcIVMA/s400/IMG_1216.JPG" width="400" /></a></div>
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<i><b><span class="Apple-style-span" style="color: orange;">La disparition de l'alphabet</span></b></i></div>
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Œuvre collective exposée à la Galerie Toner à Paris du 12 janvier au 15 mars 1994.</div>
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Artistes : Lettre A, Pati Hill ; lettre B, André François ; lettre C, Pierre Fablet ; lettre D, Paola Bianchini ; lettre E, Elga Heinzen ; lettre F, Philippe Boissonnet ; lettre G, Suzanne Reese Horvitz ; lettre H, Fouzia Chakour ; lettre I, Jean Mathiaut ; lettre J, Luiz Monforte ; lettre K, Jacques Charbonneau ; lettre L, Gérard Ollivier ; lettre M, Pascal Guichard ; lettre N, Marisa Gonzalez ; lettre P, José Alcala ; lettre Q, Pati Hill ; lettre R, Daniel Cabanis ; lettre S, Robert Heyden Knox ; lettre T, Paul Zelevansky ; lettre U, Eudice Feder Menkin , lettre V, Harry Walker ; lettre W, Margot Lovejoy ; lettre Y, Adam Biro ; lettre Z, Jean Mathiaut.</div>
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<i><span class="Apple-style-span" style="color: orange;"><b>La destruction de l'alphabet</b></span></i><br />
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La Galerie Toner de Sens a organisé le dimanche 12 juillet 1992 une rencontre pendant laquelle les invités étaient priés d'amener une lettre de l'alphabet de leur fabrication, puis de la faire disparaître, par dégustation, dissolution, déplacement, fusillade, etc., lors d'un pique-nique aux Massons en Bourgogne, chez Paul Bianchini et Pati Hill.<br />
Les invités : Nathalie Hamard-Wang, James Durand, Fouzia Chakour, Daniel Cabanis, Dina Dar, Jean Godaire-Thor, Béatrice Besse, Franck Fay, Maud Peauït, Paula Bianchini...</div>
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Photographie des œuvres des artistes ayant participé à la disparition de l'alphabet. </div>
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Photographie : James Durand, 12 octobre 2012, Médiathèque de la bibliothèque de Sens, lors de l'exposition intitulée : Toner ! Toner ! L'histoire des deux Galeries Toner de Pati Hill et Paul Bianchini.</div>
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NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-14431974143996108402012-10-18T12:01:00.000+02:002020-04-05T18:13:32.775+02:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk6MXFcYadGHW_3Kxmf16N3txPmh11zc7Q1eKvOrxQB45ZwqwtDdVdld7IYBZQk14FSL-2-e7CKklLVLjMOreHK0btba1O_UzIM-I2Pg0ubBjuab3xap7RgwCNFWKpjiu76UrJCfVcpQ/s1600/IMG_1217.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk6MXFcYadGHW_3Kxmf16N3txPmh11zc7Q1eKvOrxQB45ZwqwtDdVdld7IYBZQk14FSL-2-e7CKklLVLjMOreHK0btba1O_UzIM-I2Pg0ubBjuab3xap7RgwCNFWKpjiu76UrJCfVcpQ/s400/IMG_1217.JPG" width="400" /></a></div>
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<i><b><span class="Apple-style-span" style="color: orange;">La disparition de l'alphabet</span></b></i></div>
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Œuvre collective exposée à la Galerie Toner à Paris du 12 janvier au 15 mars 1994.</div>
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Artistes : Lettre A, Pati Hill ; lettre B, André François ; lettre C, Pierre Fablet ; lettre D, Paola Bianchini ; lettre E, Elga Heinzen ; lettre F, Philippe Boissonnet ; lettre G, Suzanne Reese Horvitz ; lettre H, Fouzia Chakour ; lettre I, Jean Mathiaut ; lettre J, Luiz Monforte ; lettre K, Jacques Charbonneau ; lettre L, Gérard Ollivier ; lettre M, Pascal Guichard ; lettre N, Marisa Gonzalez ; lettre P, José Alcala ; lettre Q, Pati Hill ; lettre R, Daniel Cabanis ; lettre S, Robert Heyden Knox ; lettre T, Paul Zelevansky ; lettre U, Eudice Feder Menkin , lettre V, Harry Walker ; lettre W, Margot Lovejoy ; lettre Y, Adam Biro ; lettre Z, Jean Mathiaut.</div>
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<i><span class="Apple-style-span" style="color: orange;"><b>La destruction de l'alphabet</b></span></i><br />
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La Galerie Toner de Sens a organisé le dimanche 12 juillet 1992 une rencontre pendant laquelle les invités étaient priés d'amener une lettre de l'alphabet de leur fabrication, puis de la faire disparaître, par dégustation, dissolution, déplacement, fusillade, etc., lors d'un pique-nique aux Massons en Bourgogne, chez Paul Bianchini et Pati Hill.</div>
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Photographie des œuvres des artistes ayant participé à la disparition de l'alphabet. </div>
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Photographie : James Durand, 12 octobre 2012, Médiathèque de la bibliothèque de Sens, lors de l'exposition intitulée : Toner ! Toner ! L'histoire des deux Galeries Toner de Pati Hill et Paul Bianchini.</div>
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NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-88952556253981581812012-10-18T11:38:00.005+02:002020-04-05T18:14:02.149+02:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLVx9_dH4qrBtZoIzk_2b-CfpZtLa_rdKsKiZb5pbzQs0vNJLw4MoL6NaEXS7pz5zUSGdJYT01BX8DXRZ4Lwez1VNuJL3pb7oNOfRkD2jWl_F7n2J0cU0AMHnz6Ighloz5KqxMvjMMsQ/s1600/IMG_1235.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLVx9_dH4qrBtZoIzk_2b-CfpZtLa_rdKsKiZb5pbzQs0vNJLw4MoL6NaEXS7pz5zUSGdJYT01BX8DXRZ4Lwez1VNuJL3pb7oNOfRkD2jWl_F7n2J0cU0AMHnz6Ighloz5KqxMvjMMsQ/s400/IMG_1235.JPG" width="400" /></a></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 14px;"><span id=".reactRoot[52].[1][2][1]{comment233890476739546_369677}..[1]..[1]..[0].[0][2]..[0]"><span id=".reactRoot[52].[1][2][1]{comment233890476739546_369677}..[1]..[1]..[0].[0][2]..[0].[0]">Jean Mathiaut à côté de l'une de ses œuvres (en haut à gauche) photographié par James Durand lors de l'exposition intitulée : <i><span class="Apple-style-span" style="color: orange;"><b>Toner ! Toner ! L'histoire des deux Galeries Toner de Pati Hill et Paul Bianchini,</b></span></i> le samedi 13 octobre 2012 à la Médiathèque</span></span><span id=".reactRoot[52].[1][2][1]{comment233890476739546_369677}..[1]..[1]..[0].[0][2]..[3]"><span id=".reactRoot[52].[1][2][1]{comment233890476739546_369677}..[1]..[1]..[0].[0][2]..[3]."><span id=".reactRoot[52].[1][2][1]{comment233890476739546_369677}..[1]..[1]..[0].[0][2]..[3]..[0]"> de la bibliothèque de Sens en Bourgogne. Jean Mathiaut est un artiste et il enseigne comme professeur l'infographie et la sérigraphie à l'école nationale supérieure d'art de Dijon. Jean Mathiaut était invité par Pati Hill pour un entretient sur la création des deux Galeries par Pati Hill et Paul Bianchini à Sens (Galerie Toner 5, rue Jules Verne) et à Paris (Galerie Toner). </span></span></span></span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: 14px;">De nombreux artistes ont exposé dans ses deux Galeries des œuvres de Copy art réalisées sur photocopieuses de 1990 à 2000.</span></div>
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NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0tag:blogger.com,1999:blog-390073036413042150.post-70655687741555440462012-10-16T18:49:00.001+02:002020-04-05T18:14:02.023+02:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3z6CEeMgq02PpJNRrXmDQ-UH6fSYGUNLw4lgsR6miI2HLHzi9AxRTm_rrF6F_Eqv0_WiznnmPKHJlkGuu5QR_i_KcC26u5RMrJqyGqyeVKW61cQt8LE_tgE4ryXIH4Oqu_RUw-I26lQ/s1600/IMG_1147.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3z6CEeMgq02PpJNRrXmDQ-UH6fSYGUNLw4lgsR6miI2HLHzi9AxRTm_rrF6F_Eqv0_WiznnmPKHJlkGuu5QR_i_KcC26u5RMrJqyGqyeVKW61cQt8LE_tgE4ryXIH4Oqu_RUw-I26lQ/s400/IMG_1147.JPG" width="400" /></a></div>
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<i><b><span class="Apple-style-span" style="color: orange;">Toner ! Toner ! L'histoire des deux Galeries de Pati Hill et Paul Bianchini</span></b></i>. </div>
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Cette exposition retrace l'histoire de ces deux Galeries de 1990 à 2000. L'une, la Galerie Toner, 5 rue Jules Verne dans un appartement de Sens en Bourgogne, et l'autre, la Galerie Toner à Paris, 33, rue du faubourg Poissonnière, ouverte en 1991. De nombreux artistes travaillant avec des photocopieuses y exposeront leurs œuvres.</div>
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Sont exposées à la Médiathèque de la bibliothèque de Sens, des œuvres de Pati Hill, des documents photocopiques de photographies des artistes qui ont participé à une performance intitulée : <i>La destruction de l'alphabet</i>, lors d'un pique-nique chez Paul Bianchini et Pati Hill, le 12 juillet 1992 aux Massons en Bourgogne. Sont aussi exposées les œuvres photocopiques des artistes ayant participé à <i><b><span class="Apple-style-span" style="color: orange;">La disparation de l'alphabet</span></b></i> et une installation de Patrick Pincot réalisée pour l'exposition <b><span class="Apple-style-span" style="color: orange;"><i>Fait sur copieur</i> </span></b>à la Galerie Toner de Sens en 1991, et dans des vitrines de nombreux documents sur le Copy art.</div>
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Exposition du 29 septembre au 13 octobre 2012 à la Médiathèque de la bibliothèque de Sens.</div>
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Lors de cette exposition sont organisées deux rencontres, la première : Pati Hill s'entretient avec Michel Bohbot, expert en art contemporain et écrivain, le samedi 29 septembre à 15h et la seconde : Pati Hill s'entretient avec l'artiste Jean Mathiaut, professeur à l'École nationale supérieure d'art de Dijon, le samedi 13 octobre 2012 à 15h.</div>
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© Photographie : James Durand, 12 octobre 2012.</div>
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NHW 65http://www.blogger.com/profile/02342977676995474938noreply@blogger.com0